Lyrics ... Chinese rap. Nostalgic & introspective. Sung in Chinese Mandarin. A ...Chinese rap. Nostalgic & introspective. Sung in Chinese Mandarin. A song about loneliness: "I don't know when I became lonely...".
I don't know when I became lonely Born in 1990, looking for a way out at 30 I don't know when I started to become lonely I understand that if you want to love, you must give Still looking for a home friends are growing up fast Time becomes a rope and strangles me Only my spiritual pillar is left regret regret always confused I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely
solitude and time connect in a long line Like a lonely boat deviating from its course run away from parents Now want to be able to sit next to them Chatting or eating supper Can spend the Lantern Festival with the girl I love Really don't have to sing lonely shit alone If time can be turned back, even if we meet only once life starts to get better Sincerity has become less and less feelings become bad I'm really mad Only memories and rhymes remain the night just talking about you When the whole atmosphere becomes special chill Only to realize that life is not enough Maybe persistence can undo the curse of loneliness oh not helpless oh try to accept
I don't know when I became lonely Born in 1990, looking for a way out at 30 I don't know when I started to become lonely I understand that if you want to love, you must give Still looking for a home friends are growing up fast Time becomes a rope and strangles me Only my spiritual pillar is left regret regret always confused I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely
I don't often call when I leave my hometown I can't say I'm disappointed. Don't say disappointment, tell yourself that you are powerful Life needs to experience growth to make you change Those who remember me will always remember Those who don’t remember will always forget that there is always a parting Anyway, you can't be strong and you can't be weak Life goes on, maybe or? (so what) past a childish age time to calm down Sometimes the firm belief of the past tense is really missing Technology is very advanced, people's hearts are not that closed anymore like before feeling upset no one even talks Maybe loneliness is just looking at the stars alone Dreams are all on paper Sincere words are often hard to hear
oh it's not hopeless oh try to accept 不知从何时起开始变的孤独90年出生在找30岁的出路不知何时起开始变的孤独明白了要爱就必须得付出还在寻找归宿朋友们都飞速时间变成绳子把我都勒住只剩下我的精神支柱后悔后悔总是糊涂不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独 孤独和时间连成一条长线像是一片孤舟偏离了航线小时候逃离父母的身边现在又想能够坐在他们旁边聊聊天或是吃宵夜能和爱的女孩过元宵节真的不用独自在唱lonely shit如果时光能够倒流哪怕见一面生活开始变的越来越好真情实意却变的越来越少感情变的蹩脚真心的都被气跑只留下回忆还有残留韵脚the night Just talking about you当整个气氛都变的特别chill才意识到人生都还没活够也许坚持才能解开孤独的魔咒oh 不是没了救oh 试着去接受 不知从何时起开始变的孤独90年出生在找30岁的出路不知何时起开始变的孤独明白了要爱就必须得付出还在寻找归宿朋友们都飞速时间变成绳子把我都勒住只剩下我的精神支柱后悔后悔总是糊涂不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独 离开了家乡也不常打电话就这么走了说不上失望吧别说失望话告诉自己力量大人生需要经历成长使你大变化记得我的人总会记得不记得的也总会忘记总有割舍反正做不了强者也不做弱者日子还是过着也许是或者？（so what）过了幼稚的年纪时间磨平闲心有时候真的少了过去时的那份坚信科技都很先进 人心 却不在接近感情产生了烦心甚至没人谈心可能孤独就是一个人看繁星梦想都在纸上谈兵真心的话往往也会难听 oh不是没了救oh试着去接受
Lyrics ... Famous gospel/folksong known since the second half of the 19th ...Famous gospel/folksong known since the second half of the 19th century about a plaintive soul on the journey through life "I am a poor wayfering stranger". Moving & sad. Male voice in a soul spirit, chimes & synth layers. Instrumental tr-15.
Verse 1
I am a poor wayfaring stranger While traveling through this world of woe Yet there's no sickness, toil or danger In that bright world to which I go.
Chorus I'm going there to meet my Father I'm going there no more to roam I'm only going over Jordan I'm only going over home.
Verse 2
I know dark clouds Will gather round me I know my way Is rough and steep Yet beautiful fields Lie just before me Where god’s redeemed their vigils keep
Chorus
I'm going there to meet my mother
She said she’d meet me
When I come I'm only going over Jordan I'm only going over home. I'm only going over home
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Lyrics ... Soul ballad in a spirit of brotherhood based on the late 18th century ...Soul ballad in a spirit of brotherhood based on the late 18th century Scottish & Irish folksong The Wild Mountain Thyme. "Well, not so long ago, I had the sweetest dream, I will never forget the feeling, people walking hand in hand...". Male singer & electric guitar. Baritone guitar & bass @ 1'11. Instrumental tr-20.
Verse 1
Well, not so long ago, I had the sweetest dream I will never forget the feeling, People walking hand in hand Will you come with me, come
To the other side of the river Where peace you will find,
Reach the other side, will we ever Will you come With me, come
Verse 2
I’m awake, but my dream is still here,
In my heart my soul and mind And I hope this dream we can share,
‘Cause your heart beats just like mine Will you come with me, come To the other side of the river Where peace you will find,
Reach the other side, will we ever Will you come with me, come Will you come, Come with me, come Will you come With me, come
Words by: Michael Wesley RobinsonMusic by: Manuel Galvin
Lyrics ... Traditional American ballad of the late 19th century originating from ...Traditional American ballad of the late 19th century originating from South Appalachian area also known as Black Girl or My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Male country singer, double-bass, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 1
Little girl, little girl, what have I done That makes you treat me so? You caused me to weep, you caused me to mourn And you caused me to leave my home
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 2
The longest train I ever saw Came down that Georgia line The engine passed at six o'clock And the cab came by at nine
Chorus
In the pines, in the pines Where the sun never shines And we shiver when the cold winds blow
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Work song in a gospel/blues spirit. Inspired & meditative. Humming ...Work song in a gospel/blues spirit. Inspired & meditative. Humming blues vocal, percussion, banjo @ 0'25, choir & drums @ 0'48. Mandolin @ 1'12. Instrumental tr-23.
Lyrics ... Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad ...Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad about a maiden. "Aura Lee! Aura Lee! Maid of golden hair, sunshine came along with thee and swallows in the air." Male singer in a country & western spirit, mandolin à l'unisson, lap-steel, banjo, e-bow guitar & acoustic guitar. Instrumental tr-24.
Verse 1 As the blackbird in the spring 'neath the willow tree Sat and piped I heard him sing
Praising Aura Lee.
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 2 Take my heart and take my ring I give my all to thee Take me for eternity Dearest Aura Lee!
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 3 In her blush the rose was born 'twas music when she spoke In her eyes the light of morn Sparkling seemed to break.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 4 Aura Lee the bird may flee The willow' golden hair Then the wintry winds may be Blowing ev'rywhere.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 5 Yet if thy blue eyes I see Gloom will soon depart For to me sweet Aura Lee Is sunshine to the heart.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Words by William W. Fosdick (D.P) Music by George R. Poulton (D.P)
Arrangement by Manuel Galvin & Jean-Jacques Milteau
Lyrics ... Folksong that became popular during the social movements of the 50s ...Folksong that became popular during the social movements of the 50s and 60s. Also known as Bahamian Lullaby. "All my trials, Lord, Soon be over." Lead vocal & choir in a gospel spirit. Organ @ 0'55. Percussion & ebow guitar @ 1'23. Instrumental tr-27.
All my trials Lord, Soon be over
Verse 1 I had a little book, it was given to me And on every page, selles Liberty All my trials Lord Soon be over
Verse 2 If religion was a thing that money could buy The rich would live, and the poor would die All my trials Lord Soon be over
Bridge Too late my brothers, too late But never mind. All my trials Lord. Soon be over
Verse 3 If Malcolm and Martin were living today They’d look around, what would they say All my trials Lord Soon be over
Bridge Too late my brothers too late But never mind All my trials Lord Soon be over All my trials Lord Soon be over
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Country/folk version of track-1. Introduction with a cappella male ...Country/folk version of track-1. Introduction with a cappella male singer. Ukulele @ 0'33, strings & bass @ 1'05. Banjo @ 1'37.
Instrumental version of tr-1. Inspired, panoramic & meditative. Lead ...Instrumental version of tr-1. Inspired, panoramic & meditative. Lead electric guitar & synth layers.
Instrumental version of tr-5 in an Americana spirit. Reflective & ...Instrumental version of tr-5 in an Americana spirit. Reflective & hopeful. Mandolin, electric guitar, slide dobro & rhythm section. Lead lap steel @ 2'13.
Alternate version of tr-7 in an early blues spirit. Rural, meditative ...Alternate version of tr-7 in an early blues spirit. Rural, meditative & rough. Slide Dobro, banjo @ 0'26 & ukulele @ 1'12.
Alternate version of tr-8. Ballad in an Americana spirit. Romantic & ...Alternate version of tr-8. Ballad in an Americana spirit. Romantic & nostalgic. Introduction with Dobro slide & lap steel. Mandolin, folk guitar & ebow guitar @ 0'42.
Alternate version of tr-11. Meditative & narrative. 1st part : Lead ...Alternate version of tr-11. Meditative & narrative. 1st part : Lead slide Dobro, mandolin & guitar. 2nd part : Cymbals & ebow guitar @ 1'26.
Another altrenate version of tr-12. Narrative & contemplative. Solo ...Another altrenate version of tr-12. Narrative & contemplative. Solo slide Dobro guitar played rubato.
Nostalgic, thoughtful & tender in a Scandinavian folk spirit. ...Nostalgic, thoughtful & tender in a Scandinavian folk spirit. Accordeon, piano, violin, cello & folk guitar. Suggested for Nordic landscapes.
Delicate, melancholic, moving & inspired in a Scandinavian folk ...Delicate, melancholic, moving & inspired in a Scandinavian folk spirit. Violin, piano, flute, folk guitar & double bass. Suggested for Nordic landscapes.
