Lyrics ... Punk rock / Pop Punk. Teen pop intro with electro beat. Unleashed ...Punk rock / Pop Punk. Teen pop intro with electro beat. Unleashed chorus @ 0'37. Trap beat @ 0'51. Bitter, strong, stimulating & uplifting. Suggested for teenage movie, fashion, video games & 90s / 20s.
Me and my friendsWe just want to have fun togetherWhere is the party cause we are not ready to sleepNothing can stop us we’re sitting on top of the worldMe and my friends yeahMe and friends No foes, only real friends, we don't need to pretend yeahLoving the awkward silenceDon’t speak I know what’s in your headNo fake, always there, I got them and I know they got me yeah Talking trash all the daylightLaugh and cry in the nighttimeLive fast, die youngCan we hold the time ?We’ll never be oldAge is in the mind From dusk till dawn I’m never downWith my friends around I never feel aloneSinging alongWe fall as oneBest team in townLeaving the world behind Talking about real friendship, you see, more than a family,This crew that would follow you through anything you'd doThey never let me downI know they got my backEvery time I'm not alrightNo, I'm not alrightAlways here to uplift me through my darkest daysSharing problems cause we do the same mistakesIf you've got troubles, I've got 'em tooI'll stay here with youCause this is what friends do From dusk till dawn I’m never downWith my friends around I never feel aloneSinging alongWe fall as oneBest team in townLeaving the world behind From dusk till dawn I’m never downWith my friends around I never feel aloneSinging alongWe fall as oneBest team in townLeaving the world behind
Lyrics ... Punk rock / Pop Punk. Strong kick drum intro rising with power chords ...Punk rock / Pop Punk. Strong kick drum intro rising with power chords guitar & strong female voice. Guitar riff chorus @ 0'40. Energetic & raw. Woman empowerment. Suggested for teenage movie & series, sport & fan of skate.
Can we hold it on Even though you’re gone? Or should I draw a line On hoping for a sign That will never come
Was I just a target ? In this plan you made Because it's hitting me the hardest
You look like yourself But you're somebody else I was fooled by the mask on your face
I shouldn't be nostalgic For the way you disappear And how you ran away from all this
You said to me don’t worry
Believed you so blindly You left me bleeding
You were my bab’ but now you are my nightmare You were my bab’ but now you are
You’re a stranger somewhere
Wishing you were around But you're in a different town (than me) You are a loveless person With the things that you’ve done Still hard to let it go
Time flies and I still Remember how you taste Somewhere between the bitter and the sweetI watched the colors As they start to burst Everything I love finds a way to leave
I shouldn't be nostalgic For the way you dissapear And how you ran away from all this You said to me don’t worry Believed you so blindly You left me bleeding
You were my bab’ but now you are my nightmare You were my bab’ but now you are
You’re a stranger somewhere
Ohhhhhh You look like yourself But you’re somebody else You’re somebody else I was fooled by the mask on your face
I shouldn't be nostalgic For the way you dissapear And how you ran away from all this
You said to me don’t worry Believed you so blindly You left me bleeding
You were my bab’ but now you are my nightmare You were my bab’ but now you are You’re a stranger somewhere
Even the smallest balcony offers space for growing herbs, vegetables ...Even the smallest balcony offers space for growing herbs, vegetables or flowers. In the big city, too, there is a trend towards self-cultivation. Relaxed track for daytime TV or gardening tutorials.
The spring sun makes gardens and parks bloom again and a first bike ...The spring sun makes gardens and parks bloom again and a first bike tour into the countryside is on the agenda. Relaxed, serene, cheerful. With acoustic guitar, shaker and a gentle beat.
Crystalline, percussive synthesizer arpeggios with sparse electronic ...Crystalline, percussive synthesizer arpeggios with sparse electronic beats. Ideal for neurological topics, features about networks and big data and investigative research.
Crystalline, percussive synthesizer arpeggios with sparse electronic ...Crystalline, percussive synthesizer arpeggios with sparse electronic beats. Ideal for neurological topics, features about networks and big data and investigative research.
Crystalline, percussive synthesizer arpeggios with sparse electronic ...Crystalline, percussive synthesizer arpeggios with sparse electronic beats. Ideal for neurological topics, features about networks and big data and investigative research.
Crystalline, percussive synthesizer arpeggios with sparse electronic ...Crystalline, percussive synthesizer arpeggios with sparse electronic beats. Ideal for neurological topics, features about networks and big data and investigative research.
Crystalline, percussive synthesizer arpeggios with sparse electronic ...Crystalline, percussive synthesizer arpeggios with sparse electronic beats. Ideal for neurological topics, features about networks and big data and investigative research.
Crystalline, percussive synthesizer arpeggios with sparse electronic ...Crystalline, percussive synthesizer arpeggios with sparse electronic beats. Ideal for neurological topics, features about networks and big data and investigative research.
Floating pentatonic synthesizer arpeggios paired with sparse, ...Floating pentatonic synthesizer arpeggios paired with sparse, electronic beats convey an impression of plasticity. A fitting track for illustrating complex processes of learning.
Floating pentatonic synthesizer arpeggios paired with sparse, ...Floating pentatonic synthesizer arpeggios paired with sparse, electronic beats convey an impression of plasticity. A fitting track for illustrating complex processes of learning.
Floating pentatonic synthesizer arpeggios paired with sparse, ...Floating pentatonic synthesizer arpeggios paired with sparse, electronic beats convey an impression of plasticity. A fitting track for illustrating complex processes of learning.
Floating pentatonic synthesizer arpeggios paired with sparse, ...Floating pentatonic synthesizer arpeggios paired with sparse, electronic beats convey an impression of plasticity. A fitting track for illustrating complex processes of learning.
Floating pentatonic synthesizer arpeggios paired with sparse, ...Floating pentatonic synthesizer arpeggios paired with sparse, electronic beats convey an impression of plasticity. A fitting track for illustrating complex processes of learning.
Floating pentatonic synthesizer arpeggios paired with sparse, ...Floating pentatonic synthesizer arpeggios paired with sparse, electronic beats convey an impression of plasticity. A fitting track for illustrating complex processes of learning.
Cinematic. Hope, in suspense, peaceful with a touch of melancholy. ...Cinematic. Hope, in suspense, peaceful with a touch of melancholy. Fx. reverb. Piano, strings, synth & drums. Suggested for hope, science & medecine.
Joyful, passionate & danceable instrumental reggaeton. Ideal for ...Joyful, passionate & danceable instrumental reggaeton. Ideal for tropical, exotic, romantic & Latin party scenes at the beach. Brass section, synth, Spanish guitar, sampling, electronic & Latin percussion. Drop @ 1'19.
Dream pop, indie pop. Cute, dreamy & carefree. Electric guitar & ...Dream pop, indie pop. Cute, dreamy & carefree. Electric guitar & rhythm. Suggested for romance, teen TV show, Nature & open air.
Northern soul, 60s rare UK soul, British dancehall. Dance combo with ...Northern soul, 60s rare UK soul, British dancehall. Dance combo with saxophone, baritone & tenor. Suggested for food, home, retro British series & daytime TV.
Lyrics ... Well-known 19th century minstrel folksong composed by Stephen Foster. ...Well-known 19th century minstrel folksong composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
