Jazzy/boogie & slightly up-tempo solo piano bar with rolling left ...Jazzy/boogie & slightly up-tempo solo piano bar with rolling left hand ostinato & free rolling @ 0'55. Generous, easy-going & classy. Cocktail lounge in the spirit of the 40's & 50's.
Rubato intro. Sentimental, intimate & cosy. Solo piano like in a love ...Rubato intro. Sentimental, intimate & cosy. Solo piano like in a love scene in a film noir (in the wee small hours of the morning). Improvisation & acceleration a tempo @ 1'25.
Mellow, intimate & gentle solo piano in an old-fashioned mood. ...Mellow, intimate & gentle solo piano in an old-fashioned mood. Perfect for romantic scenes & lost love stories in a sophisticated mood. Lounge bar music.
Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit ...Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit demanding. Emotional & serious @ 1'00.
Cool & classy solo piano. Sophisticated, seductive, charming & ...Cool & classy solo piano. Sophisticated, seductive, charming & old-fashioned. In a comfortable arm chair in the bar at the Ritz...
Solo piano on a rumba rhythm. Elegantly danceable, exotic, graceful & ...Solo piano on a rumba rhythm. Elegantly danceable, exotic, graceful & jazzy. Old-fashioned cheek-to-cheek...
Groovy, jazzy & bluesy in the spirit of the 40's & 50's. Solo piano ...Groovy, jazzy & bluesy in the spirit of the 40's & 50's. Solo piano with boogie-woogie riff @ 0'40.
Moving, inspired & beautiful solo piano ballad in the style of a ...Moving, inspired & beautiful solo piano ballad in the style of a japanese film score.
Lyrics ... Pop Folk & Dream Pop. Confident, tender & sensual. Female singer, ...Pop Folk & Dream Pop. Confident, tender & sensual. Female singer, harmonica, guitars & rhythm. Recommended for TV series & commercials.
Once or Twice I’ll throw away the dice Two Three Four … Stay a little more Count on me to treasure Jealousy for pleasure I’m close to that point Where I can’t rule my behavior
An eye for an eyeShow me what’s insideA tooth for a toothLet me know the truth Count on me to measure All the weight of pressure I’m close to that point Where I can’t rule my behavior
Now we’re standing on the edge What else am I suppose to do You’re not half of the man I Thought you were But I’m not half of a woman ; I’m true
An eye for an eye Show me what’s inside A tooth for a tooth Let me know the truth
Count on me to measure All the weight of pressure I’m close to that point Where I can’t rule my behavior
Lyrics ... Shiny UK Pop. Catchy, light & positive. Suggested for advertising, ...Shiny UK Pop. Catchy, light & positive. Suggested for advertising, everyday Life & romance. Rock band with piano & male singer.
EVERY DAY WITH YOU
How the sunlight plays in your hair
and the colourful clothes that you wear
the look in your eyes, light in your smile
and love in the air
All your good vibrations become
gentle words with the warmth of the sun
and I never felt like this before
You, you make me so happy
I feel alive so free and new
the sun shines through every day with you
How the sunlight plays in your hair
and the colourful clothes that you wear
the look in your eyes, light in your smile
and love in the air
All your good vibrations become
gentle words with the warmth of the sun
and I never felt like this before
You, you make me so happy
I feel alive so free and new
the sun shines through every day with you
You, you make me so happy
I feel alive so free and new
the sun shines through everyday with you
Every day, every day, every day
every day, every day, every day
every day, every day, every day
every day with you
Lyrics ... Naïve UK pop. Confident & positive. Rock band with male singer & ...Naïve UK pop. Confident & positive. Rock band with male singer & backing vocals. Recommended for adverts.
Good, good, good times Good, good, good times
Got your love in my life and I’m feeling so alive you, you got me wanting you badly you, yeah you make me so happy you got the love I need you’re the perfect one for me And good times never felt this good but I knew someday they would the first time that I saw you You, you’re a diamond in the sky I knew one day you’d be mine the first time that I saw you
Good ,good, good times Good, good, good times
Got your love in my life and I’m feeling so alive you, you got me wanting you badly you, yeah you make me so happy you got the love I need you’re the perfect one for me And good times never felt this good but I knew someday they would the first time that I saw you You, you’re a diamond in the sky I knew one day you’d be mine the first time that I saw you Your sunny smile lights up the room your flashing eyes, a flower in bloom you mean the world to me And baby good times never felt this good but I knew someday they would the first time that I saw you You, you’re a diamond in the sky I knew one day you’d be mine the first time that I saw you I fell in love
Lyrics ... Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a ...Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a world-music touch. Female singer with auto-tune fx & constant sampled vocals layers.
Got to lot to be thankful for A lot to be thankfulI’ve got a lot to be thankful forA lot to be thankfulI sit down and read your names at loudOne by one you drew me You never know how long the pain will last
I’ve got a lot to be thankful A lot to be thankful (lord i’m thankful)I’ve got a lot to be thankful A lot to be thankful
Like a prayer the letters fall into placeThe more I read it the more sens it makesForgive me for I didn’t know You hurt, you heal, and then you growYou growYou grow
Forgive me for I didn’t knowOh Lord I’m thankful Thankful Oh Lord I’ve gotta lot to be thankful for
Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. ...Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. Avant-garde pop/New-Age ballad. Sampled vocal loop with auto-tune fx & layers.
Lyrics ... Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a ...Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a folktronica spirit. Female singer with pitched voice, treated double vocal fx & crystalline synth.
Bath yourself in this riverEau Claire Soon to meet my brother Eau Claire I know what you’ll say Don’t you dare giving up
Longest nights Held in fearSmoke in the cold I remember why i’m here Smallest of hopes Held in your hands
Fallen August of our love You mention my name in your sleep This my love is where you carry on without me
Watching snow fall on the lakeHow could I ever want to leaveThis my darling’s where it endsFor me
I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more Coldest autumn on my ownI hope you’ll remember For this my love is where i’m goneAnd you’re free I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more
Lyrics ... Avant-garde pop/folktronica ballad with a touch of African ...Avant-garde pop/folktronica ballad with a touch of African world-music. Progression. Intimate yet lively. Female singer, kalimbra, drum & claps.
UnrevealingWe’ve kept our love on a tape Frozen morning By the lake where we skate Silver wellspring This was way more than just a fling I gave my dreamsYou’re the guardian of this house now Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Unrevealing We’ve kept our love on a tape I’ve heard and seen More than one take Precious offspring You will arrive in May My love my king You’re the guardian of this house now
Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Lyrics ... Hypnotic, moving & unconventional. Avant-garde pop in a world-music ...Hypnotic, moving & unconventional. Avant-garde pop in a world-music spirit. Sequence and layers of sampled voices, electric bass, intermittent percussion & female lead singer @ 1'25,
Alternate without lead vocal. Hypnotic, repetitive & unconventional. ...Alternate without lead vocal. Hypnotic, repetitive & unconventional. Avant-garde pop with a world-music touch. Sequence and layers of sampled voices, electric bass, intermittent percussion & female vocals @ 0'35.
