Slow and moving strings touch the emotions of the audience. Perfect ...Slow and moving strings touch the emotions of the audience. Perfect to emphasize an emotional feeling between sorrow, danger and hopeless situations.
Slow and moving strings touch the emotions of the audience. Perfect ...Slow and moving strings touch the emotions of the audience. Perfect to emphasize an emotional feeling between sorrow, danger and hopeless situations.
Cello, string quartet, piano and percussion harmonize in the main ...Cello, string quartet, piano and percussion harmonize in the main theme that is sadly bringing up the big question of life. Ideal for a mysterious atmosphere that reminds of an old music box that lures the audience into a mysterious parallel world.
Cello, string quartet harmonize in the main theme that is sadly ...Cello, string quartet harmonize in the main theme that is sadly bringing up the big question of life. Ideal for a mysterious atmosphere that reminds of an old music box that lures the audience into a mysterious parallel world.
Lyrics ... Solemn & lyrical. Male choir & symphony orchestra.
Entre l’ancien et le nouveau monde Se tient un pont inébranlable. Notre bataillon a traversé la rivière Mais mon cheval et moi nous sommes perdus. Sur la berge il y avait un fort brouillard, On ne voyait rien nulle part. Quelques maisons brûlaient encore Jusqu’au pont il n’y avait que la mort Et sur les bords du chemin, des femmes se tenaient. Un vent blanc a emporté leurs fils dans le brouillard. Cours mon cheval, cours plus vite Sinon nous disparaitrons Comme ces garçons Dans le brouillard de l’ancien monde. Mon cœur s’est percé Quand mon cheval s’est envolé Noir de jais, cheval contre le vent blanc gelé. Je suis de nouveau seul Ulysse Grifmann a surgit du brouillard Il arriva sur un cheval rouge, il me dit «tiens bon l’ami» En avant mes amis, nous avons encore du travail sur les champs Derrière Ulysse, je ne crains aucune brume Hourra Hourra Hourra !
Pop in Motown style. Assured & catchy. Harpsichord, electric guitar, ...Pop in Motown style. Assured & catchy. Harpsichord, electric guitar, mellotron & drums.
Lyrics ... Explicit language. Latino hip hop over a cuban Son rhythm, sung in ...Explicit language. Latino hip hop over a cuban Son rhythm, sung in Spanish & with a spanglish flow. Latin percussions, flûte & scratch & synth.
Negrita ve.No me esperes en la casa, que yo te caigo mas luego pa ve
Make me introduce pan the beat, You don now how ́s this, Pana black from the hill,San Andres mc, We got all the caleñas crazy, And the paisas wetting, Bogotanas giving away them pussy,
We no diling with non batty man her, Yous bring the whiskey, Make we drying the hold day, And we light up the roof with faller,
Hans up hilla, More more falla.
Ladies in the club se emborrachan, Muestran la tatas, My homes in the Cana, Smoking cigarrillo sin filtro en el balcón, This is the night bitches and rum...
Fake boobs,Fake blonds, Fake ass,
This is what I see every night in a the dance. Fake boobs Fake blond, Fake ass,
Sr ortegon that what you like. Negrita ve,No me esperes en la casa, Que yo te caigo mas luego pa ve (bis)
Four o'clock in the morning, Everyone going, Me and my nagger,
Still want some funny ́s, Some une en la pista se, Vamo a seguirla,
My nagger se donde,Straight to my crib now... Ladies in the club se emborrachan, Muestran la tatas, My homes in the Cana, Smoking cigarrillo sin filtro en el balcón, This is the night bitches and rum... Hasta q salga el sol no me muevo,Por q la quiero seguir pasando bueno (bis)
Fake boobs, Fake blonds, Fake ass,
This is what I see every night in a the dance. Fake boobs, Fake blonds,Fake ass,
Sr ortegon that what you like. (bis)Lising up
Negrita ve, No me esperes en la casa, Que yo te caigo mas luego pa ve (bis) Ah ah ah bitches and rum... Aa a ah bitches and rum... That what you like... Ah ah ah... Negrita ve,No me esperes en la casa, Que yo te caigo mas luego pa ve (bis)
Lyrics ... Explicit language. Latino hip hop over a cuban Son rhythm, sung in ...Explicit language. Latino hip hop over a cuban Son rhythm, sung in Spanish & with a spanglish flow. Latin percussions, flûte & scratch & synth.
Negrita ve.No me esperes en la casa, que yo te caigo mas luego pa ve
Make me introduce pan the beat, You don now how ́s this, Pana black from the hill,San Andres mc, We got all the caleñas crazy, And the paisas wetting, Bogotanas giving away them pussy,
We no diling with non batty man her, Yous bring the whiskey, Make we drying the hold day, And we light up the roof with faller,
Hans up hilla, More more falla.
Ladies in the club se emborrachan, Muestran la tatas, My homes in the Cana, Smoking cigarrillo sin filtro en el balcón, This is the night bitches and rum...
Fake boobs,Fake blonds, Fake ass,
This is what I see every night in a the dance. Fake boobs Fake blond, Fake ass,
Sr ortegon that what you like. Negrita ve,No me esperes en la casa, Que yo te caigo mas luego pa ve (bis)
Four o'clock in the morning, Everyone going, Me and my nagger,
Still want some funny ́s, Some une en la pista se, Vamo a seguirla,
My nagger se donde,Straight to my crib now... Ladies in the club se emborrachan, Muestran la tatas, My homes in the Cana, Smoking cigarrillo sin filtro en el balcón, This is the night bitches and rum... Hasta q salga el sol no me muevo,Por q la quiero seguir pasando bueno (bis)
Fake boobs, Fake blonds, Fake ass,
This is what I see every night in a the dance. Fake boobs, Fake blonds,Fake ass,
Sr ortegon that what you like. (bis)Lising up
Negrita ve, No me esperes en la casa, Que yo te caigo mas luego pa ve (bis) Ah ah ah bitches and rum... Aa a ah bitches and rum... That what you like... Ah ah ah... Negrita ve,No me esperes en la casa, Que yo te caigo mas luego pa ve (bis)
Latino hip hop over a cuban Son rhythm. Latin percussions, flute & ...Latino hip hop over a cuban Son rhythm. Latin percussions, flute & scratch & synth.
